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2019/06/15

Lupus Viator, 1994 – Madrid, Spain⠀
Darya von Berner⠀

Museo de Arte Contemporáneo⠀

Wall painting⠀
Foto: Joaquín Cortes⠀

In the context of the group show “Confrontaciones (los entornos de la imagen)”, the ephemeral painting Lupus Viator, acquired monumental proprtions and covered the entirety of a wall at the museum of Anthropology in Madrid.⠀

Curators: Martín Bartolomé and Félix Guisasola⠀
Sponsor: Ministerio de Asuntos Sociales⠀
In collaboration with Ministerio de Cultura⠀

The project Lupus Viator (latin: wolf walking) began as a series of monumental painted installations of an ephemeral nature and realised in situ. Later the project continued to evolve over a period of 7 years. It travelled to 7 different countries worldwide. ⠀
Taking into consideration its extensive duration, as well as its territorial movements, from country to country, Lupus Viator can be understood almost like a mythical pilgrimage, which covers the trails and places, where wolves have formerly roamed in abundance, before the species has widely become extinct.⠀

#madrid #spain #museodeartecontemporaneo #museomadrid #art #painting #exhibition #contemporaryart #daryavonberner #wallpainting #culture #artist #lupus #lobos #lupusviator #architecture #publicart #artinstallation #artinsitu #criticalart #nature #politica

2019/06/14

Lupus Viator, 1994 – Zaragoza, Spain⠀
Darya von Berner⠀

Galería Antonia Puyó⠀
@antoniapuyo⠀

Wall painting⠀
Photo: Pedro Avellaned⠀

In the “Galería de Arte Antonia Puyo” (Zaragoza), Lupus Viator once more took on monumental dimensions, covering the entirety of this enormous wall.⠀

The project Lupus Viator (latin: wolf walking) began as a series of monumental painted installations of an ephemeral nature and realised in situ. Later the project continued to evolve over a period of 7 years. It travelled to 7 different countries worldwide. ⠀
Taking into consideration its extensive duration, as well as its territorial movements, from country to country, Lupus Viator can be understood almost like a mythical pilgrimage, which covers the trails and places, where wolves have formerly roamed in abundance, before the species has widely become extinct.⠀

#zaragoza #spain #galeriaantoniapuyo #art #painting #exhibition #contemporaryart #daryavonberner #wallpainting #culture #artist #lupus #lobos #lupusviator #architecture #publicart #artinstallation #artinsitu #criticalart #nature #politica

2019/06/12

Lupus Viator, 1994 – Basel, Switzerland⠀
Darya von Berner⠀

Galerie Triebold⠀
Wall painting and TVmonitor⠀
Foto: Grazia Branco⠀

In the Galerie Triebold (Basel), a large-scale wolf was painted on one of the gallery walls. A television monitor was built into the same wall, on which popular TV programmes where shown, from news to soap operas.⠀


The project Lupus Viator (latin: wolf walking) began as a series of monumental painted installations of an ephemeral nature and realised in situ. Later the project continued to evolve over a period of 7 years. It travelled to 7 different countries worldwide. ⠀
Taking into consideration its extensive duration, as well as its territorial movements, from country to country, Lupus Viator can be understood almost like a mythical pilgrimage, which covers the trails and places, where wolves have formerly roamed in abundance, before the species has widely become extinct.⠀

#basel #switzerland #galeriatriebold #art #painting #exhibition #contemporaryart #daryavonberner #wallpainting #culture #artist #lupus #lobos #lupusviator #architecture #publicart #artinstallation #artinsitu #criticalart #nature #politica

2019/06/10

Lupus Viator, 1993 – Pescara, Italy⠀
Painting – Darya von Berner⠀
Fuori Uso⠀
Photo: Grazia Branco⠀

This large-scale painting of a walking wolf (Lupus Viator) was the first in the series. It was shown for “Fuori Uso” (1993), an annual contemporary art exhibition that takes place in Pescara (Italy).⠀

Curated by Achille Bonito Oliva⠀

The project Lupus Viator (latin: wolf walking) began as a series of monumental painted installations of an ephemeral nature and realised in situ. Later the project continued to evolve over a period of 7 years. It travelled to 7 different countries worldwide. ⠀
Taking into consideration its extensive duration, as well as its territorial movements, from country to country, Lupus Viator can be understood almost like a mythical pilgrimage, which covers the trails and places, where wolves have formerly roamed in abundance, before the species has widely become extinct.⠀

#pescara #italy #art #painting #exhibition #contemporaryart #daryavonberner #wallpainting #culture #artist #lupus #lobos #lupusviator #architecture #publicart #artinstallation #achillebonitooliva #artinsitu #criticalart #nature #politica ⠀

2019/06/07

Marchas de Elefantes, 2013 – Limerick⠀⁣
Multi-media installation, Darya von Berner⠀⁣
⠀⁣
Prequel Programme⠀⁣
Ormston House, Limerick, 2013⠀⁣
@ormston_house @cornellbirds⠀⁣
⠀⁣
‘Intelligent Elephant’ show graphically the infrasonic acoustic of elephant communication, with elephant calls of frequencies below the lower limit of human hearing (20 Hz). This special communication, serves elephant herds to coordinate themselves and can travel over distances of up to 10 kilometres. It was discovered by the bioacoustics researcher Katy Payne in 1984. Hereby very complex information is communicated acoustically, including emotive state, physical characteristics, intention, and perhaps reference to abstract concepts.⠀⁣
⠀⁣
sound recording and visuals with kind permission by:⠀⁣
Elephant Listening Project *⠀⁣
The Cornell Lab of Ornithology⠀⁣
with special thanks to Peter Wrege⠀⁣
⠀⁣
* Elephant Listening Project, uses acoustic methods to study and aid in the conservation of forest elephants in Central Africa.⠀⁣
⠀⁣
Curators: Joan Stack & Paul Quast⠀@elephantlisteningproject⁣
⠀⁣
#limerick #acousticsound #infrasonic #ireland #art #contemporaryart #daryavonberner #wallpainting #culture #artist #elephants #elephantmarch #ormstonhouse #cornellbirds #marchadeelefantes #bioacustic #multimedia #installation #elephantlisteningproject #architecture #publicart #artinstallation #artinsitu #marciadeglielefanti #elefanti #nature #politica

2019/06/06

Marchas de Elefantes, 1998 – Madrid⠀⁣
Video, Darya von Berner⠀⁣
⠀⁣
Mercado de Fuencarral⠀⁣
Madrid, 1998⠀⁣
Duration: 0:44, loop⠀⁣
⠀⁣
At the Mercado de Fuencarral (Madrid), Marcha de Elefantes was shown in the format of a multi-media installation. On several monitors, in and outside of the market, the video of an elegant couple walking in front of a homeless, was shown on a loop. Again, the work emphasized the notion of habitat loss and its problematic in the context of a city.⠀⁣
⠀⁣
Curated by: Eugenio Ampudia⠀⁣
⠀⁣
Production: Laagencia (Vicente Matallana)⠀⁣
⠀⁣
The project Marcha de Elefantes, is a metaphor of walking: the walk of all the wild animals and people which have lost their habitat and homes, uprooted and forced to leave their place of origin.⠀⁣
⠀⁣
The work began as a series of large-scale murals, but later the wall-based work was complemented by sculptures, videos and also performances.⠀⁣

@elephantlisteningproject⁣

2019/06/04

Marchas de Elefantes, 1997 – Basel⠀⁣
Wall Painting, Darya von Berner⠀⁣
⠀⁣
Galeria Triebold⠀⁣
⠀⁣
Basel, 1997⠀⁣
Wall painting, installation and sculpture⠀⁣
⠀⁣
The windows and beams of the gallery were covered with fabric, mattresses, wardrobes, chairs and other objects, as if a tornado had sucked everything into the gallery space. One of the gallery walls showed a large-scale mural of an elephant, tilted horizontally. All concentration was focused on the trumpeting of this elephant, which has not got a floor to stand on anymore.⠀⁣
⠀⁣
Text: Hubertus von Amelunxen⠀⁣
⠀⁣
The project Marcha de Elefantes, is a metaphor of walking: the walk of all the wild animals and people which have lost their habitat and homes, uprooted and forced to leave their place of origin.⠀⁣
⠀⁣
The work began as a series of large-scale murals, but later the wall-based work was complemented by sculptures, videos and also performances.⠀⁣

@elephantlisteningproject⁣

2019/06/03

Marchas de Elefantes, 1997 – Amsterdam⠀⁣
Wall Painting and web site, Darya von Berner⠀⁣
⠀⁣
Stedelijk Museum, World Wide Video Festival⠀⁣
Amsterdam, 1997⠀⁣
⠀⁣
@stedelijkmuseum⠀⁣
⠀⁣
In 1997, Tom van Vliet (director of the World Wide Video Festival, Amsterdam) selected Marcha de Elefantes for an exhibition at the Stedelijk Museum in Amsterdam. The work consisted of a webpage, showing a red toy elephant. Reflected on the surface of the elephant, one could see a sequence of images of miserable shacks, along a highway of south Madrid. The same elephant was then painted in a large format onto the wall of the museum, and the same sequence of images was projected on to the painting. The intention of the work, was to give a symbolic space to all those who have lost their homes⠀⁣
⠀⁣
–⠀⁣
⠀⁣
The project Marcha de Elefantes, is a metaphor of walking: the walk of all the wild animals and people which have lost their habitat and homes, uprooted and forced to leave their place of origin.⠀⁣
⠀⁣
The work began as a series of large-scale murals, but later the wall-based work was complemented by sculptures, videos and also performances⠀⁣


@elephantlisteningproject⁣

2019/05/31

Marchas de Elefantes, 1997 – Mannheim⠀⁣
Wall Painting, Darya von Berner⠀⁣
⠀⁣
Galeria Angelo Falzone⠀⁣
Mannheim, Germany, 1998⠀⁣
Wall painting, objects and performance⠀⁣
Foto: Claus Stolz and Andreas Winkler⠀⁣
⠀⁣
The most impressive of this series of ephemeral paintings, took place in a gallery space of almost 1000 m2. For this painting and performance, von Berner relied on the generous help of five volunteers.⠀⁣
⠀⁣
For the performance the helpers were painted in the same way like the ephemeral mural, to somewhat visually become a fragment of the great elephant, just like in the well-known Hindu fable, in which six blind men, explain from their fragmented and partial viewpoint, how an elephant is. But none of them achieves to give a vision of the elephants totality.⠀⁣
⠀⁣
In our society elephants appear in form of toys, logos, cartoons and also documentaries, all of which are partial visions, which makes it impossible to perceive what the presence of a real elephant in his natural habitat can really transmit, moreover we can not really understand the significance of the extinction of this animal and its natural habitat.⠀⁣
⠀⁣
The project Marcha de Elefantes, is a metaphor of walking: the walk of all the wild animals and people which have lost their habitat and homes, uprooted and forced to leave their place of origin.⠀⁣
⠀⁣
⠀⁣
The work began as a series of large-scale murals, but later the wall-based work was complemented by sculptures, videos and also performances.⠀⁣
⠀⁣

@elephantlisteningproject⁣

2019/05/29

Marchas de Elefantes, 1996 – Barcelona⠀
Wall Painting, Darya von Berner⠀

Galeria Metropolitana de Barcelona⠀
Barcelona, 1996⠀
Photo: Santi Viladrich⠀

At the Gallery Metropolitana (Barcelona) the large-scale mural, showed this time only large fragments of the body of an elephant.⠀

The project Marcha de Elefantes, is a metaphor of walking: the walk of all the wild animals and people which have lost their habitat and homes, uprooted and forced to leave their place of origin.⠀

The work began as a series of large-scale murals, but later the wall-based work was complemented by sculptures, videos and also performances.⠀

2019/05/27

Marchas de Elefantes, 1996 – Köln⠀
Wall Painting, Darya von Berner⠀

Art Special Hansa⠀
Köln, 1996⠀


Darya von Berner showed her monumental mural Marcha de Elefantes, as part of Art Special Hansa (Cologne).⠀

Curated by: Uta M. Reindl and Georg Dietzler⠀


The project Marcha de Elefantes, is a metaphor of walking: the walk of all the wild animals and people which have lost their habitat and homes, uprooted and forced to leave their place of origin.⠀

The work began as a series of large-scale murals, but later the wall-based work was complemented by sculptures, videos and also performances.⠀

2019/05/25

Marchas de Elefantes, 1994 – Assisi⠀
Wall Painting, Darya von Berner⠀

Rocca Maggiore Sistema Museo di Perugia⠀
Comune di Assisi⠀
Assisi, Italy, 1994⠀
Wall painting⠀
Photo: Mika Schiffer @mikaschiffer⠀

The second installation of Marcha de Elefantes took place at the Sistema Museo/ Rocca Maggiore di Perugia (Assisi, Italy). At this occasion the ephemeral painting of this monumental elephant march, was realized on a palisade, that surrounded the castle.⠀

Curator: Giulietta Speranza⠀
Performance dance: Gisella Zanmatti⠀
⠀⠀
The project Marcha de Elefantes, is a metaphor of walking: the walk of all the wild animals and people which have lost their habitat and homes, uprooted and forced to leave their place of origin.⠀

The work began as a series of large-scale murals, but later the wall-based work was complemented by sculptures, videos and also performances.⠀

2019/05/24

Marchas de Elefantes, 1992 – Gibellina⠀
Wall Painting, Darya von Berner⠀

Photo: Grazie Blanco⠀
@fondazione_orestiadi⠀
Gibellina, Sicily, Italy, 1992⠀

Marcha de Elefantes was presented at the Paesaggio con Rovine, Gibellina,Sicily. For the first time Darya von Berner painted a large-scale mural of several elephants, that seemed to walk around the room painted in red.⠀

Curators: Achille Bonito Oliva and Giuliana Stella⠀

#achillebonitooliva⠀

The project Marcha de Elefantes, is a metaphor of walking: the walk of all the wild animals and people which have lost their habitat and homes, uprooted and forced to leave their place of origin.⠀

The work began as a series of large-scale murals, but later the wall-based work was complemented by sculptures, videos and also performances.⠀

2019/05/18

Der Rote Faden, 2014 – Frankfurt / Darya von Berner⁣
Light Installation⁣


Der Rote Faden (the red line) is a German phrase (Goethe „Elective Affinities“) that refers to a track, a path or a guideline. A Roter Faden connects distant things that belong together.⁣

The building in Saalgasse 18, Frankfurt, by architect Charles Moore and Norbert Moest, is an example of an emotional and pluralistic post-modern architecture. The two houses are in reality just one. A red light tape joins the two seemingly different house-halves and repeats in it’s movement the circular elements of the architecture.⁣

2019/05/16

In Love with Unreality, 2009⁣
Madrid, Galería Moriarty⁣


An art installation at the Moriarty gallery in Madrid with the collaboration of the poet Lawrence Ferlinghetti known for his poems inspired by the New York subway, and the underground company of Metro de Madrid, that installed generously an access control turnstile at the entrance of the gallery.⁣

Whilst physically passing the barrier with a Metro ticket with a line of the poem In Love With Unreality by Ferlinghetti, he recited it (https://vimeo.com/38096965)⁣

2019/05/14

Años luz (un instante), 1999 – Barcelona⁣
Light Installation, Darya von Berner⁣

Site-specific installation at Gallery Metropolitana (Barcelona) for the occasion of the millenium change. For each year of the past millenium a date was written on the gallery wall and every century was marked with a neon tube.⁣

Art at the turn of the millenium.⁣

Photo: Pere Soldevila⁣

2019/05/10

¿Qué significa orientarse en el pensamiento?, 2010⁣
GALERÍA MORIARTY, Madrid⁣

Sight-specific installation at the Gallery Moriarty. For this installation, the basic architectural structure of the exhibition space, was redrawn with the help of a new lighting technology (Light Tape). The title of the exhibition was inspired by the work of Immanuel Kant (1786) ‘What does it mean to orient oneself in thinking?’⁣

2019/04/08

breathe( )red, Light Installation 2015 by Darya von Berner⁣

breathe( )red redraws – from sunset to midnight – the architectural structure of the pavilion with artificial light. Darya von Berner thus transforms the completely transparent pavilion into a floating mirroring object. Harry de Wit composed a soundtrack that interacts with the travelling of light coming from the inside of the pavilion. His sound waves originate in the trees that surround the pavilion and are sent from the trees to the glass panels of the pavilion, which then resonate with them.⁣


breathe( )red was commissioned by Tschumipaviljoen, with the kind support of Light Tape, the City of Groningen, Kunstraad Groningen, GasTerra, Beringer Haezewinkel Fonds and Time Shift.⁣

2019/03/30

Ninho – Paisagem de luz, 2015 ⁣
Light Installation – Cachoeira, Bahia (Brasil) ⁣
Curated by Tom van Vliet⁣
AD @danillobarata⁣
Photos: @andreamparo⁣

In February 2015, the artist Darya von Berner presented Ninho – Paisagem de luz.⁣
The piece was shown in Cachoeira, Bahia, with kind support by⁣ Fonds Prince Claus Fund and Fundaçao Cultural do Estado da Bahia⁣. ⁣


#paisagemsonorabahia⁣
#paisagemdeluz #art #cachoeira #bahia #brasil #contemporaryart #daryavonberner #culture #artist #daryavonberner #architecture #lighttape #publicart #artinstallation

2019/03/28

Atmosphère au Louvre, 2012 ⁣
Cloud, Project of deployment of a real cloud around the Pyramid by I.M. Pei of the Louvre.⁣

Projet 2012 de déploiement d’un véritable nuage autour de la pyramide par I.M. Pei du Louvre.⁣

#paris #art #contemporaryart #daryavonberner #culture #artist #daryavonberner #louvre #impei #cloud #nuage #atmosphere #museedulouvre #pyramidelouvre #atmosphereart #architecture #publicart #artinstallation

2019/03/26

Universal Cloud Flag, 2012 Darya von Berner⁣

In January 2012, the artist Darya von Berner presented her most recent work Universal Cloud Flag.⁣
The piece was shown at the Peace Palace in The Hague (Netherlands) @peacepalace.nl⁣
, which houses among others, the International Court of Justice and the Permanent Court of Arbitration.⁣

The flag consists of a real cloud, which is released from the top of a flagpole.⁣
The cloud is created with the help of a new nebulization technology, which employs high pressure to pulverise water into micro-particles, that can float in the air. The flagpole also emits light to enhance the visibility of the water particles.⁣

Curator: Tom van Vliet ⁣

#art #contemporaryart #daryavonberner #culture #artist #daryavonberner #cloud #cloudflag #peacepalace #universalflag #justice #universal #people #hague #architecture #publicart #artinstallation

2017/08/05

How artist interpret the present? #artist #culture #publicart #skulpturemuenster

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